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As easy as it is today, anybody can pile 40 channels or more onto their songs, making todays computer power and the huge pletoria of software heaven for every musician and producer.<\/p>\nAs easy as it is today, anybody can pile 40 channels or more onto their songs, making todays computer power and the huge pletoria of software heaven for every musician and producer.<\/p>\n
However, sometimes the challenge lies in some limitations to enhance your creative process. Probably you heard of Peter Schmidt<\/a> and Brian Enos<\/a> deck of cards, “Oblique Strategies<\/a>“, wich is one way to push your creativity into new directions.<\/p>\n One easy way is however to limit the amount of channels or instruments you’re going to use in a project. The Challenge was to make a song with at most three instruments and five drum sounds. OOF<\/a> also wanted a song track; as a result you can hear me “sing” for the first time…oh, well.<\/p>\n After the challenge was set I realised that Carl<\/a> had and huge advantage, with his history in several renowned punk bands… so here we are, after one thing and another finally you are agle to enjoy the results, all three in different styles.<\/p>\n
\nThis is how “the Challenge” was born.
\nIt was between Out Of Focus<\/a>, Carl Arsenic<\/a> and me.<\/p>\n